Pigments

Sound design synthesizer

Pigments is an all-in-one software synthesizer for modern producers, blending 6 cutting-edge synthesis engines, a color-coded interface, effortless drag-and-drop modulation, premium effects and generative sequencing. Shape your sonic vision with boundary-pushing sound design.

Shape your sonic vision

Explore in-depth sound design with every synthesis type you could need and a responsive, color-coded interface that rewards experimentation - from playful discoveries to intricate modulation and patch creation.

Multi-engine versatility

Discover pure sonic possibility with 6 forms of synthesis: Modal, Granular, Wavetable, Sample, Harmonic and Virtual Analog, alongside the Utility engine.

Visual sound design

Streamline your creative process with Pigments’ clean, color-coded interface and drag-and-drop modulation - every step is designed for fast, fluid sound design without breaking your flow.

Modern-sounding aesthetic

Pigments is defined by a boundary-pushing sound and over 1600 instantly-rewarding presets - from hybrid-acoustic tones to sweeping granular textures. Expandable with the sound store.

Harness every shade of synthesis

Craft immense, composite soundscapes like no other synth. With 6 engine types, twin morphing filters, 19 high-quality FX, advanced modulation and creative sequencing - Pigments’ in-depth sonic architecture lets your imagination lead the way.

Engines
Filters
Modulation
Effects
Sequencer

Engines

Choose between 3 engine slots and 6 methods of sound generation and discover the combined power of Modal, Granular, Wavetable, Sample, Harmonic and Virtual Analog synthesis, alongside a Utility engine which provides additional oscillators and sampled noise. Don’t forget, you can process external audio too!

Filters

Sculpt your sound with 13 filter types and 51 filter modes, from warm analog classics to futuristic formants and digital lo-fi, each with flexible routing options.

Modulation

Dive deep with unlimited connections between envelopes, LFOs, random sources, and more - just click, drag, and transform your patch. Modulate practically any parameter with anything you choose. You can even trigger envelopes with audio!

Effects

With twin insert buses and a send bus, each one letting you choose and combine any 3 of the 19 studio-grade effects - from shimmering reverbs and dynamic delays to fierce distortions and vocoder textures.

Sequencer

Pigments features a fully-fledged generative sequencer. Create evolving stepped modulations in one click, browse and save sequencer presets, and animate your whole sound with a simple yet powerful sequencing and arpeggiation engine.

Close the gap between inspiration and outcome

Transform your ideas into fully realized sounds with Pigments' visual workflow. Whether you’re just experimenting or building complex patches - see what’s happening, modulate with ease and watch your creativity come to life.

Clear, color-coded design

Pigments’ clean, intuitive layout and color-coded modulation sources make it easy to see where you are and what’s connected at a glance - so you can stay focused.

Effortless workflow

From drag-and-drop modulation, quick-edit tools, and streamlined signal routing, every element is crafted to make sound design fluid efficient and enjoyable.

Animation that informs

From engine waveforms to envelope transients and modulation dynamics - Pigments’ real-time animated feedback offers instant visual clarity and aliveness.

A next-gen synth for innovative electronic genres

Pigments is at the forefront of modern sound design, embodying an innovative aesthetic that underpins the world’s most daring music - from phosphorescent tones to thundering basses and sweeping granular expanses.

Modern-sounding aesthetic

Discover a precise, powerful and high-quality sound that goes hand-in-hand with leading electronic genres - from trap to EDM, house, cinematic and beyond.

Extensive factory library

Harness 1500+ meticulously crafted presets that define Pigments’ distinctive sonic identity and push its powers to the limit - basses, leads, pads, sequences and much more.

On-trend expansions

Stay on the cutting edge with contemporary presets and genre-focused packs that capture today’s most innovative musical trends.

A complete solution
to modern synthesis

From braindance to future bass experimentation, experience Pigments’ sonic repertoire in action.

Code Bloom

Popbot

Quest

Victor Morello

Voltage Alley

Gisaza

Soundtrack

Victor Morello

Liquid

Visages

Coberlon

Victor Morello

ill.Gates

Technicolor synth explosion

Dylan Lake AKA ill.Gates is a North American electronic music producer whose genuine, high-energy attitude is felt throughout his rumbly EDM world.

Artist
Corner

Tim Carmon

Keyboardist

"And for anyone who knows about the ARP 2600 keyboard it will NEVER get any closer than this, forget about it."

Judd Miller

Producer - Composer

"The sound and feel of this virtual instrument is much different than playing a sample... it has a life and aliveness. I don't know of anything else like it."

Philippe Saisse

Jazz composer

"Arturia has taken physical modeling technology to another level with BRASS... A must for anyone in film, commercial or serious orchestration."

Eddie Jobson

Roxy Music - Zappa – UK

"With the CS-80V, Arturia have done a fantastic job of both replicating this classic instrument and adding new features and extensive programmability."

Edwin Birdsong

Keyboardist

"I love the sound of that plug-in, and so does Stevie Wonder... I recommend it to anyone who wants great vintage sounds. (About the CS-80V)"

Eric Persing

Sound Engineer

"It has loads of personality and is capable of amazing sounds which are impossible on my real CS-80."

Franck Serafine

Sound Engineer

"The CS-80V is like a dream come true, with true classic vintage sounds but with all the latest digital control."

George Massenburg

Producer - Composer

"The original CS-80 was in constant need of tuning, which was a profoundly tedious chore. I'll take the plug, thanks. Faithfully and flawlessly modeled and stable! I couldn't live without it now."

Hans Zimmer

Score Composer

"I just sold my Yamaha GX1 because I have a great remplacement with Arturia's CS-80V."

James Lumb

Electric Skychurch

"It has a smooth, detailed sound that you would expect from a real analog synthesizer; with filters that make other digital synths sound gritty by comparison. The CS-80V just sounds great!"

Jamie Muhoberac

Keyboardist

"One of the most appealing things about the CS-80V was the unique sound and shape of its amplitude and tremolo modulation."

John Merchant

Sound Engineer

"Arturia has done a remarkable job of capturing the essence of the instrument. It's incredibly authentic. I hear no difference."

Phoenix

"The CS-80V is the cornerstone of our live shows. We use it on stage. We are really impressed by this software by the way as we own a real CS-80 unit and find the similarities with the software pretty amazing."

Randy Cantor

Producer - Composer

"The CS-80 sounded absolutely amazing and unique, and so does the CS-80V!... The sounds you can get from them are endless."

Alexander Adhami

Score Composer

"The Arturia Mini V so accurately re-creates the original. Perfected analog synthesis with the ease of being able to save your sounds as a preset. A must have in the world of synthesis."

Deadmau5

DJ / Producer

"I've been using the Mini V. Vintage hardware is not easy to come by these days, this is just simply the next best thing!"

Ian Pai

Blue Man Group

"I have a collection of vintage synths but the reliability and the infinite ways you can precisely manipulate and control all the parameters in Arturia's products have left them gathering dust."

Jake Wherry

The Herbalizer

"Very useable synths that integrate perfectly into my studio setup. Now I have some very good, instantly accessible sounds right at my fingertips. (About the Mini V)"

Strip Steve

DJ / Producer

"The fact that it is polyphonic is really cool. What I like most about this plugin is the way it is configured; it stays very true to the original, but also provides tasteful new tools which can be very useful indeed."

Chris Pitman

Guns N' Roses

"This is by far the best VST instrument I've ever heard, period! You guys are onto a winner here!"

Darrell Diaz

Producer - Composer

"I played some tracks for a producer for a record I'm working on and he couldn't believe it was a plug-in! I am in heaven with this plug-in!"

Gareth Jones

Music Director

"The sound is amazing and it's the most reliable virtual instrument that I have ever used."

Geoff Downes

Keyboardist (Yes, Asia, Buggles)

"For anyone who his a fan of the great analog giants of the 70's and 80's, the Modular V is the absolute "full ticket". Get one!"

Guy Allison

Producer - Composer

"He sound of this VSTi is nothing less than HUGE. Bravo Arturia!"

Hideki Matsutake

Sound Engineer

"The clipping of waveforms on the oscillator and the filter behaviour especially are perfect."

Press
Clippings

Magnetic Mag

On Pigments

"Something about Pigments unlocked a childlike joy inside of me that I have never felt before (...) I’ve genuinely never felt that way while sound designing."

MusicTech

On Pigments

"Pigments is a veritable chameleon of an instrument – it’s an analogue monster, a digital dream, a sampling powerhouse, and now a physical modelling marvel."

WeRaveYou

On Pigments

"Pigment 6’s versatility and ease of use make it a no-brainer when choosing which new software synth to try out."

Hispasonic

On Pigments

"It is a synthesizer in which Arturia has wanted to concentrate a large number of resources and get out of the most established areas. It is not a synthesizer that intimidates its use, but in spite of offering a very recognizable global structure, it floods with details in each element that go out of the most traveled and allow to accumulate many simultaneous actions."

Future Music

On Pigments

"Pigments is a powerful synth unifying the best of virtual synthesis, it has an amazing sound and modulation options are a delight to design dynamic sounds. An excellent and flexible ally for the creation of new sounds."

Strong Mocha

On Pigments

"Arturia keeps the promises that Pigments can sound like other synths; no other synth can sound like Pigments. New vibes and tones are always helpful to stay unique with the sound you deliver. (...) Pigments is because of its layout and approach an outstanding way to learn how to use a Synth."

Gearspace

On Pigments

"Excellent sound quality, with two powerful oscillators and a diverse set of filters."

KRHome Studio

On Pigments

"Pigments is a success. The interest of this instrument is double: a powerful synthesizer and a real learning tool (...) Pigments reconciles the look and listening."

Gearjunkies

On Pigments

"Fairly easy to use softsynth that uses the best of Arturia has to offer when it comes to softsynths. (...) Very usable for laying down sequence basslines if you combine it with additional FX plugins that can make it sound dirtier."

Ask Audio

On Pigments

"Incredible sounding oscillators and filters, beautifully designed, amazing modulators, powerful and flexible effects, great sequencer and arpeggiator section."

Sonic State

On Pigments

"At the heart of Pigments is the deep, deep modulation routing system, with a highly visual approach each source can have multiple destinations and can also be modified by the same sources. Its deeply powerful and results in some highly complex and compelling sounds."

Estrada Studio

On Pigments

"Pigments sounds excellent. It is because of both perfectly built synth engines and  great filters, as well as the availability of a wide range of perfectly designed wavetables (...) In terms of sound, Pigments represents the highest league, while workflow, GUI, and unbelievable possibilities of modulation and effects section can appeal to many musicians."

Music Radar

On Pigments

"5/5 Pigments easily earns a place at the top table of synthesis. (...) the whole thing impresses from end to end. It’s hard to imagine how Arturia could have made it any easier to use - the work it has done in that regard is hugely commendable. With its voluminous, expressive sound and inspiring interface and architecture, Arturia’s first homegrown synth is a marvel."

Sound Bytes Mag

On Pigments

"Pigments is yet another winner in their lineup of synth plugins. I really can’t think of anything I’d like added to it. (...) It is very easy to use, the layout of controls in the display seem well thought out, and best of all it just sounds great."

Electronic Musician

On Pigments

"There's a lot going on in this latest synth powerhouse. (...) a surprisingly adept emulation machine (...) excellent controllable randomization tools."

Recording

On Pigments

"It’s an entirely original virtual synthesizer with an unusual and compelling sound, a wonderful slate of great features, and a user interface that’s as easy to navigate as it is, well, colorful"

Tape Op

On Pigments

"Pigments is a great synth for complex evolving sounds (...) And, this is a very fun instrument to play (...) If you’re into synths, you’ll really want to check this one out for sure. Hats off to Arturia for successfully expanding into a new instrument category (...) Pigments takes Wavetable synths to a new, more refined and mature level than any other implementation I’ve seen to date."

Interface

On Pigments

"Impressive capabilities!"

DJMag

On Pigments

"Pigments is a very powerful and unique soft synth created by Arturia who, we have to say, are masters of their game."

Audio Technology

On Pigments

"This instrument is paradise for those who love geeking out in the process of crafting unique sound."

MusicTech

On Pigments

"Pigments 4 update enhances nearly every aspect of the soft synth"

RouteNote

On Pigments

"Pigments is one of the most versatile software syntheiszers out there"

Happy Mag

On Pigments

"A highly creative and intuitive polychrome software synthesizer"

DJMag

On Pigments

"Pigments has established itself as a must-have plugin in the audio world."

Matrixsynth

On Pigments

"Pigments 4 is going to change the way you make music."

Gallery

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Main Features

Two engines in parallel

  • Modal physcial-modeling engine

  • Complex Wavetable engine

  • Sample and Granular engine

  • Harmonic Oscillator additive engine

  • Virtual Analog triple-osc engine

  • Includes Engine Cross-modulation

Utility Engine

  • 5-shape Virtual Analog Oscillator

  • 2 Sample-based Noise Engines

  • External audio input

Two filters

  • 13 modern filter types and 49 filter modes

  • Classic filter types from V Collection instruments

  • Continuous series/parallel routing

Powerful FX section

  • 2 Insert buses, 1 Send bus, 3 FX per bus

  • Modulable parameters

  • 18 algorithms including Shimmer Reverb, MultiBand Compressor, Chorus JUN-6, and more.

Advanced modulation system

  • Color-coded workflow

  • Drag-and-drop assignation

  • Hover quick-edit adjustment

  • Modulation side-chain

  • Envelopes, Morphing LFOs, Function generators, Random generators, Combinators and more

  • 4 dynamic, assignable Macro controls

Generative Sequencer and Arpeggiator

  • Create complex, evolving and polymetric sequences/arps

  • Advanced random sequence generator

  • Sequencer lock & browser

Visual interface

  • 4k resizeable interface

  • Interactive animated interface

  • Simplified Play View

  • Dark or Light themes

Extensive library of 1600 presets

MPE compatibility

NKS controller compatible

MTS-ESP microtuning compatibility

Platform Specifications

Windows

  • Win 10+ (64bit)

  • 4 GB RAM

  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)

  • 3GB free hard disk space

  • OpenGL 2.0 compatible GPU

  • ARM processors not supported on Windows

Required configuration

  • Works in Standalone, VST, AAX, Audio Unit, NKS.

Apple

  • Mac OS 11+

  • 4 GB RAM

  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU

  • 3GB free hard disk space

  • OpenGL 2.0 compatible GPU

Work with ASC

  • An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

All manufacturer and product names mentioned on this page are trademarks of their respective owners, which are in no way associated or affiliated with Arturia. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose features and sound were studied during the development. All names of equipment, inventors, and manufacturers have been included for illustrative and educational purposes only, and do not suggest any affiliation or endorsement by any equipment inventor or manufacturer.