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Solina V

Authentic orchestra machine.

String
Theory

Solina V models the hugely popular ensemble keyboard made by Eminent and later rebadged by ARP.

Chillwave, vaporwave, nu-disco, old disco, ambient, classic funk, and even trance just wouldn't be the same without the gluey, cosseting vibe of analog string machines. Gary Wright, Jean Michel Jarre, Vangelis, Styx, The Buggles, and Parliament-Funkadelic all immortalized their sound.

The Original

We began by carefully studying the Solina Mk 1, then we created a detailed computer model. It doesn't get any more realistic than this.

Time Capsule

The Solina is heard on more '70s tracks than any other electronic keyboard, making it a must-have that no sample can duplicate.

Fits Your Mix

Put all the Solina's retro deliciousness in your tracks without the hassle of finding, maintaining, and recording vintage analog gear.

More Than Strings

Get the signature sound — then discover just how far beyond that you can go thanks to the advanced synth features we added.

Before polyphonic synths,
there were string machines

Needed a backing orchestra for your band? Far-out sounds to stack atop your electric piano? The Solina was your ticket.

Onstage, it opened up a new world of sound to keyboardists eager for options beyond piano, organ, and monosynth. In the studio, it brought real orchestration power to artists who weren't in the "just hire orchestra players" league. It became a staple of prog, funk, and disco. Its sound is as ear-catching today as ever.

The history of string machines goes back to the 1960s, when keyboardist Ken Freeman experimented with a Selmer Clavioline and multiple delays, hitting on a combo that made a solitary voice sound like a section. His Freeman String Symphonizer (a.ka. Cordovox CSS) sounded incredible but was neither first to market nor most popular. That honor would go to the Solina.

Dutch company Eminent deployed similar technology in their 310 series of home organs, which Jean Michel Jarre took onstage. They knew they were onto something that could work in a more portable keyboard, and in 1974 the Solina was born. It soon got the attention of American synth maker ARP, who licensed it and sold it as the ARP String Ensemble.

ARP was a known name in music, and artists including Styx, Gary Wright, Pink Floyd, The Buggles, and even Elton John paid attention. Disco strings of the era were either real or ARP/Solina. And if Bernie Worrell's left hand was playing bass on a Mini in classic P-Funk, his right was riffing on a String Ensemble!

Fresh
Out of the Box

Like a never-used Solina, only better.

We've preserved the controls layout and paid homage to the look — and added just the right extras to elevate the Solina experience.

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01. Disco Infiltrator

Boogie down with the original Solina voices plus the classic Ensemble effect. Hit the stereo option for an even lusher sound.

02. Human Nature

Solina V borrows a sound from another famous polyphonic keyboard: the "Vox Humana" patch heard on "Cars" by Gary Numan.

03. Bass Is the Place

Split the keyboard and play bass in the left hand, either layered with the main sound or by itself.

04. Pitch and Mod

Solina V adds pitch and modulation wheels with adjustable depth amounts for more synth-like control over your sound.

05. Retro FX

Dial in period-perfect phaser, chorus, and delays, as well as a convolution reverb to put Solina V in a recording-ready space.

The Solina
Everyone Always Wanted

Heart of a string machine, brains of a synth

If Solina players longed for one thing, it was for their instrument to be more like a synth. Open up the Advanced Panel, and that's exactly what Solina V is. These features enhance your playing when you want them and get out of your way when you don't.

Resonators

This 3-band filter bank comes from the same "Poly" keyboard as the Vox Humana sound, providing surgical creative control over the frequency spectrum.

Bass Filter

Make the Bass Section bow-wow like a synthesizer with the resonant low-pass filter, and dial up a little sustain for string bass sounds.

Walk the Talk

A one-octave Arpeggiator just for the Bass Section is perfect for "walking bass" and other animation, and syncs to your master project tempo.

Masterfully Expressive

Optimize your keyboard response with velocity and aftertouch control of both volume and brightness.

Custom Modulation

The tempo-syncable LFO offers a myriad of options for modulation brought in by the wheel.

FX Central

Our FX are curated to complement the Solina sound perfectly. The Convolution Reverb emulates vintage plates and springs.

Hear it
in action

You know all about swirling pads and roller-disco string parts, but Solina V can have a far broader job description in your music.

These artists took its versatility for a test drive and came up with some tracks that prove our point.

Song for Jill

SDG

Pachelbel's Canon

All sounds are from Solina V.

Creepy Carrousel

All sounds except banjo and drums are from Solina V.

Demo

Chillax

All keyboard sounds are from Solina V. The backing track is the “Diamond Strings” preset. The lead is the "Fat in the Middle" preset by Erik Norlander.

Boardeau

Artist
Corner

Kevin Baird

Two Door Cinema Club

"I've spent most of my life playing live with real analogue instruments I've found it so hard to replicate the warmth and fullness with software. Solina bridges that gap so perfectly I imagine my instruments will be gathering dust in my studio now!"

Richard Simpson

Coldplay

"The Solina in particular blows my mind. It’s lush and authentic, I’ve used the real thing on numerous records and this is the only emulation that I’d use."

Paul Wilson

Snow Patrol

"I’ve never actually played this thing before and the first time I did was in the V collection. I realised what it was and thought: ‘Oh my god! That’s where these sounds come from!’ It’s incredible. "

John Nathaniel

OneRepublic / Kygo

"The Solina… we don’t hear enough about the Solina, but it’s so brilliant for retro pads! In the “Strings” presets folder, there’s so much gold and classic vibes!"

Press
Clippings

Keyboard US

On Solina V

"Gorgeous re-creation of the Solina sound. Shimmering ensemble effect. Three-band resonator for sculpting your own variations. Convolution reverb includes a collection of vintage plate models."

Inclus dans
la V Collection 11 Pro

Cet instrument fait partie de la V Collection Pro, une suite haut de gamme d'instruments logiciels conçue pour une exploration sonore inégalée.

Des claviers fidèlement modélisés aux moteurs de synthèse hybrides, en passant par des sons acoustiques magnifiquement capturés, chaque instrument est optimisé pour l’environnement de production d’aujourd’hui - la V Collection propose les meilleurs claviers à ce jour.

Les fonctionnalités
dont vous avez besoin

Tutoriels intégrés

Les tutoriels intégrés détaillent chaque aspect de l’instrument, des différents paramètres aux conseils de nos designers sonores, pour que vous puissiez vous concentrer sur votre créativité. C’est simple comme bonjour !

ASC

L’Arturia Software Center vous sert à télécharger, organiser et mettre à jour tous vos logiciels d’Arturia au même endroit, ou encore à gérer toutes vos licences sur plusieurs appareils. Plus c’est simple, mieux c’est.

Intégration aux DAW

Nos instruments virtuels et nos plug-ins sont conçus pour s’intégrer facilement à votre installation. Quel que soit votre style, vous pouvez expérimenter tout en profitant d’une parfaite compatibilité avec les principaux DAW, aussi bien sur Windows que sur macOS.

Navigateur de presets

Ne passez pas des heures à chercher le son que vous avez en tête. Le navigateur intelligent vous permet de trier les presets par mots-clés, par type d’instrument, style musical, etc. Vous pouvez même sauvegarder vos sons favoris pour les rappeler instantanément dès que vous en avez besoin.

Interface modulable

Vous voulez profiter de nos émulations d’instruments classiques avec une immersion visuelle totale ? Vous préférez économiser un peu d’espace sur votre écran ? Les interfaces de tous les instruments virtuels d’Arturia peuvent être redimensionnées à la taille qui vous convient.

Intégration parfaite

Les paramètres des instruments sont directement assignés aux commandes des claviers de la gamme KeyLab d’Arturia, mais ils fonctionnent aussi très bien avec d’autres contrôleurs MIDI. Vous bénéficiez ainsi de macros pour modifier instantanément le son, d’une intégration facile avec le DAW et d’un fonctionnement indépendant.

Propulsé par TAE®

Une technologie exclusive de modélisation analogique qui rend nos émulations indissociables des originaux.

En reproduisant fidèlement les caractéristiques des oscillateurs analogiques, filtres et effets de saturation douce, nous offrons un niveau de détail remarquable et un charme analogique authentique en parfaite harmonie.

Gallery

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Main Features

All of the original parameters of the ARP/Eminent Solina string ensemble

Vox Humana sound modeled after the original 1978 Bob Moog's Polysynth

Classic Paraphonic operation as well as selectable Polyphonic mode

1978 Bob Moog’s polysynth resonator section on Upper Section

24dB per octave resonant filter on Bass Section

Arpeggiator on Bass Section

LFO for vibrato, tremolo and filter modulation

Aftertouch and velocity level controls

Solina MK1 and MK2 ensemble modes

3-mode stereo chorus

Stereo dual phaser

Analog delay

Digital sync delay

Convolution reverb with 24 modeled reverbs

150 presets

Platform Specifications

Windows

  • Win 10+ (64bit)

  • 4 GB RAM

  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)

  • 3GB free hard disk space

  • OpenGL 2.0 compatible GPU

  • ARM processors not supported on Windows

Required configuration

  • Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple

  • Mac OS 11+

  • 4 GB RAM

  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU

  • 3GB free hard disk space

  • OpenGL 2.0 compatible GPU

Work with ASC

  • An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

All manufacturer and product names mentioned on this page are trademarks of their respective owners, which are in no way associated or affiliated with Arturia. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose features and sound were studied during the development. All names of equipment, inventors, and manufacturers have been included for illustrative and educational purposes only, and do not suggest any affiliation or endorsement by any equipment inventor or manufacturer.