brute
Kantige Analog-Synthesizer
Roh, massive und organisch. Egal wie man es nennt, egal wie man es definiert. Du musst es nur fühlen. Entdecke diese Maschine, auf der Suche nach dem taktilen, elektrischen und lebendigen Sound echter Analog-Synthese. Dieser eine Moment der reinen Kreativität unter deinen Fingerspitzen... willkommen in der Welt des Brute.
Leistungsstarke Analog-Synthesizer
und Drum-Machines
Die Brute-Reihe umfasst analoge Synthesizer und Maschinen, die entwickelt wurden, um aus purer elektrischer Spannung Rhythmus, Melodie und Textur zu formen. Entdecke den begehrten Analog-Sound mit innovativen und experimentellen Funktionen für wilde und inspirierende Klangergebnisse.
01
100% Analog-Power
Diese Instrumente erzeugen einen Klang, indem sie den Stromfluss kontrollieren und manipulieren. Mit der Brute-Reihe kannst du praktisch Elektrizität in Audiosignale umwandeln, wobei jede Komponente dem Klang einen eigenen Charakter verleiht.
02
Brute-Faktoren
Jeder dieser Synthesizer bietet einzigartige Funktionen, die ihn wirklich unersetzlich machen: Steiner-Parker-Filter, Master-Bus-Verzerrung, Brute-Factor-Feedback und eine verkabelbare Architektur.
03
Hands On-Workflow
Keine verwirrenden Menüs, keine versteckten Optionen – bei diesen Instrumenten dreht sich alles um das taktile und intuitive Erlebnis beim Spielen. Schick das Signal direkt aus deinem Gehirn zum Lautsprecher.
Die Erforschung der Klangmaterie
Die Brute-Reihe nutzt die rohe, kraftvolle und organische Natur der analogen Synthese und entfesselt den Klang elektrischer Spannung. Von semi-modularen Keyboards über Eurorack-Cases bis hin zu kraftvollen analogen Drum-Machines dreht sich alles um die Erforschung der Klangmaterie. Seismische Bässe, luftige Lead-Sounds und massive Sägezahn-Pads mit jeder Menge elektrisierendem Charakter.
Wähle
deinen Brute
Von der reinen, monophonen Sinuswelle bis hin zu ausdrucksstarker mehrdimensionaler Polyphonie findest du bei den Brutes jede analoge Variante.
Jake Miller
Drumbrute: an experience in itself
Originally from Brisbane, Australia, Jake Miller has spent the last few years based in London, UK, acting as an engineer and producer for some of the world’s top pop, rock, and electronic artists.
Sieh dir die Story anWomit
alles anfing
Spulen wir vor ins Jahr 2011. Die Digitalisierung schritt weiter voran. Software-Instrumente waren in aller Munde und jeder beliebte Hardware-Synthesizer war letztendlich digitaler Natur.
[...] als Arturia auf der NAMM 2012 das erste analoge Keyboard, den MiniBrute, ankündigte – ausgestattet mit fantastischem Sound und zu einem Preis, weniger als halb so teuer wie der der Konkurrenz. Arturia besaß die Weitsicht, einen neuen Trend zu erkennen und zu inspirieren: das Wiedererstarken und schließlich die Dominanz der analogen Synthese. Das Timing hätte nicht besser sein können.
Geary Yelton, Redakteur der ersten Stunde bei Synth and Software
PressClippings
MusicTech
On Origin Desktop
“It may have been a long time coming, but Origin is a bold first step into hardware for Arturia. Huge-sounding and accessible but with great depth, this is a tremendous synth. -MusicTech Choice Award-”
Future Music
On Origin Desktop
“It sounds fantastic and sets a new high in contemporary synth design. Put it on your shopping list.”
Music Radar
On Origin Desktop
“It's with great pleasure that I can tell you that the Origin sounds amazing and well worth the effort that Arturia has put into programming it. It's everything you would expect and more and should keep you occupied for many years.”
Audio Technology
On Origin Desktop
“The Origin has an unashamedly large, lush sound and quite unlike what you'd expect from software synths - and rightly so as this isn't a software synth. This is dedicated DSP, designed strictly for the creation of huge analogue-sounding synth patches. All the usual adjectives spring to mind: syrupy, smooth, fat, etc. In short, it sounds quite amazing, with a lot fo the "hybrid" patches screaming "Oberheim®" to me. Plus, it really has a very hands-on synthesis engine thrown into the bargain- easy to program and edit, and lots of fun to use.”
Sound On Sound
On Origin Desktop
“The Origin is a unique instrument, combining modular virtual analogue synthesis derived from imitative soft synths with modern features such as splits, layers and truly multitimbral effects. It sounds excellent and, if you can afford it, you should take a close look, because there's nothing else that does quite the same thing.”
Keyboard Magazine
On Origin Desktop
“The Synth Freak's Dream Realizer. Monstrously huge sound. Lots of knobs. Interactive step sequencer. Highly patchable, quite like a modular synth. Four-part multitimbral with aux outs. Numerous modules emulate vintage synth components.”
Electronic Musician
On Origin Desktop
“Terrific, animated sounds. Generous supply of modules. Powerful modulation capabilities with flexible routing. Brilliant user interface with intuitive controls, navigation, and display. Versatile mixer options. Writing for EM, I've witnessed many evaluations of products based on whether they are evolutionary or revolutionary. With its innovative coupling of classic synthesis and contemporary musical-instrument technology and design, the Origin manages to satisfy both criteria easily. This is the first hardware synth I've wanted to buy in nearly a decade; need I say more?”
Electronic Musician
On Origin Desktop
“I highly recommend the Origin Keyboard. It's an inspiring piece of well-designed gear at a fair price. It isn't cheap, but you get a tremendous amount of sound engine for your money. Although the Origin has lots of useful and interesting factory programs, it's one of those synthesizers obviously designed with programmers in mind. If you like to build sounds from scratch, you could spend many happy hours and years exploring and programming the Origin Keyboard. If live performance is your gig, it could very effectively take the place of half a dozen vintage keyboards onstage. I was especially impressed by the well-thought-out versatility of the ribbon controller, which may be reason enough to prefer the keyboard model over the module.”
Future Music
On Origin Desktop
“This is a fantastic and rewarding instrument with a sound that is unrivalled in the emulation stakes.”
Music Radar
On Origin Desktop
“Superb analogue synth emulation. Large ribbon controller. Seemingly limitless modular combinations.”
Ask Audio
On MicroBrute
“Getting creative with the routing is what makes the Microbrute so much fun—and ensures its usefulness in the studio for years to come. The MicroBrute is an amazing deal that meets all needs with savage style.”
Future Music
On MiniBrute
“MiniBrute offers you a good value quality - price on its options”
Future Music
On MiniBrute
“A great little synth, which manages to pack a lot of punch into its modest frame. The final word on MiniBrute is that we're seriously considering buying one - though we might have to wait for the 'PolyBrute' should Arturia decide to make one!”
Meet Music Magazine
On MicroBrute
“This synthesizer has a whole bunch of new characteristics as interesting as unique”
Beatport
On MiniBrute
“The MiniBrute combines 21st-century amenities like USB MIDI and the festival-friendly Ultrasaw waveform with vintage tools like the Steiner-Parker multimode filter, arpeggiator, and a thoroughly nasty feedback circuit in its signal path”
Electronic Musician
On MiniBrute
“Are we crazy for giving a monosynth an Editors’ Choice Award in the 21st century? We’d be crazy not to, because the MiniBrute is packed with features, built like a tank and, most importantly, sounds fantastic.”
Electronic Musician
On MicroBrute
“An inexpensive monophonic instrument with flexible modulation routing and a Steiner-Parker multimode filter that provides vintages tones without sounding like an ARP, Mg or Oberheim®”
Estrada Studio
On MicroBrute
“The MicroBrute - with its own characteristic sound - is one of our favorites.”
Keyboard US
On MiniBrute
“This real analog monosynth looks and plays like the love child of an ARP Axxe and an Octave Cat. The filter from the rare Steiner-Parker Synthacon has an aggressive sound you won't find elsewhere and the arpeggiator is wicked decent. Be warned: if you use the MiniBrute just for Dubstep, we will find you.”
Keyboard Magazine
On MicroBrute
“If you’re an analog head, the Arturia MicroBrute is definitely the way to go.”
Keyboard Magazine
On MicroBrute
“The sound is anything but “pretty” compared to other contemporary analog synths, but that aggressive character is what makes it essential to my sounds. This synth is meaty and macho like nothing else. If you don’t already own a ’Brute, it’s clear that you will. At this price, practically everyone will.”
KRHome Studio
On MiniBrute
“More fun that a SH-101, equipped with a filter that surpasses more expensive vintage models, available at a very reasonable price, the MiniBrute should meet with success that will be very well deserved.”
Music & Musicians
On MiniBrute
“Between its brilliant simplicity and modest price tag, the Arturia MiniBrute is one of the most accessible pure analog synthesizers available”
Music Radar
On MicroBrute
“you get plenty of synth for not a great deal of money”
MusicTech
On MicroBrute
“MicroBrute should be the first synth students use to learn the basics of analogue synthesis. Thi synth can probably go to more places than any other single-oscillator machine out there”
Brute
aus der Perspektive der Künstler
Arturia hatte schon immer eine starke Verbindung zu Künstlern, deshalb wollen wir zeigen, was sich hinter den Kulissen abspielt. Erfahre, was weltbekannte Musiker und Produzenten über ihre Lieblingsprodukte von Arturia sagen und wie sie diese verwenden.
Technologie
Die Anatomie des Brute
Die Technologie, die für die Brute-Reihe verantwortlich ist und den Standard für analoges Musikmachen setzt.
Brute-Oszillator : Ein originaler Analog-Oszillator, der mehrere Wellenformen, komplexes Wavefolding und integriertes Brute-Factor-Feedback für intensive Rückkopplungen kombiniert.
Steiner-Parker-Filter : Ein legendäres Multimode-Filter, das in den 1970er Jahren vorgestellt, von uns überarbeitet und verbessert und von Nyle Steiner selbst abgesegnet wurde. Knackig, bissig, samtig weich – und alles dazwischen.
Patching: Die Brutes bieten die Möglichkeit, dein Audiosignal und die Steuer-Spannungen neu zu verkabeln und umzuleiten, von einer semimodularen CV-Konnektivität bis hin zur komplexen Modulationsmatrix.
Und was als nächstes?
Freak
Bissige Digital-Synthesizer
Ein Freak vom Namen her, ein Freak von Natur aus. Entdecke die ultimativen Grenzen deines Synthesizers und erlebe das radikalste Klangerlebnis. Entdecke eine Vielzahl synthetischer Klänge, finde deinen eigenen kreativen Wahnsinn und treib diesen auf die Spitze, um etwas noch nie dagewesenes zu schaffen. Das ist so was von freakig!
Entdecke den Freak