brute
Sintetizadores analógicos indomables
Crudo, potente, orgánico… Da igual cómo lo califiquemos y cómo lo definamos: sólo hay que sentirlo; explorar la máquina, buscar el sonido táctil, eléctrico y vital de la auténtica síntesis analógica; sentir ese momento inusual de creación pura en la punta de los dedos… Entra en el mundo Brute.
Sintetizadores y cajas de ritmos
potentes y analógicos
La gama Brute incluye sintetizadores analógicos e instrumentos diseñados para crear ritmos, melodías y texturas a partir de simple voltaje eléctrico. Descubre el sonido analógico más deseado con funciones avanzadas y experimentales para lograr tonos salvajes e inesperados.
01
Potencia 100 % analógica
Estos instrumentos generan sonido controlando y manipulando la electricidad. La gama Brute te permite transformar la electricidad en señales de audio, a las que cada componente aporta su propio toque.
02
Los factores Brute
Cada uno de estos sintetizadores posee funciones únicas que los hacen verdaderamente irreemplazables: filtros Steiner-Parker, distorsión en el bus principal, realimentación Brute Factor y arquitectura reconfigurable.
03
Manipulación práctica
Sin menús desplegables y sin opciones ocultas: estos instrumentos dan prioridad a la experiencia táctil e instintiva de tocar música, dejando que la señal vaya directamente del cerebro al altavoz.
La exploración de la materia sonora
Aprovechando la naturaleza cruda, potente y orgánica de la síntesis analógica, la gama Brute es el sonido de la tensión sin límites. Desde teclados semimodulares hasta cajas Eurorack, pasando por cajas de ritmos analógicas, esta es la exploración de la propia materia sónica. Bajos sísmicos, leads etéreos y pads masticables en diente de sierra galvanizados con un montón de carácter electrizante.
Elige
tu Brute
Desde la pureza monofónica de las ondas senoidales hasta la polifonía multidimensional tremendamente expresiva, encuentra cualquier sabor analógico con los Brutes.
El inicio
de la historia
En 2011, lo digital dominaba el mercado. Los instrumentos virtuales estaban de moda y todos los sintetizadores de hardware populares eran digitales.
[...] cuando en la feria NAMM de 2012 Arturia presentó su primer sintetizador analógico, el MiniBrute, que presumía de un sonido fantástico y un precio por debajo de la mitad del de la competencia. Arturia supo ver e impulsar una tendencia incipiente: el resurgimiento y posterior dominio de la síntesis analógica. No pudieron llegar en mejor momento.
Geary Yelton, fundador y redactor de Synth and Software
ENERO DE 2012
MiniBrute
Nuestro primer paso en el mundo de la síntesis analógica: el MiniBrute era un sintetizador de sobremesa con controles directos, un manejo ágil con el teclado y el arpegiador, y un sonido inconfundiblemente crudo. La agresividad del factor Brute, la nitidez del metalizador, la calidez del filtro Steiner-Parker multimodo... MiniBrute subió el listón de los sintetizadores analógicos todo en uno, con un precio asequible.
OCTUBRE DE 2013
MicroBrute
La potencia pura de la anatomía Brute, simplificada en un formato portátil. Líneas de bajo en diente de sierra, leads abrasadores y arquitectura semimodular: a pesar de su tamaño compacto, MicroBrute tiene una pegada colosal. Perfecto para músicos y productores en movimiento que no quieren renunciar a un sonido analógico potente, esta pequeña bestia táctil es tan divertida como letal.
ENERO DE 2016
MatrixBrute
La flexibilidad de lo modular, la inmediatez de un diseño de función por botón, la familiaridad de guardar y recuperar presets, y el inconfundible sonido sísmico de Brute. MatrixBrute es una auténtica fuerza analógica a tener en cuenta: el MatrixBrute es un verdadero monstruo analógico. Este completo supersintetizador monofónico combina lo mejor de lo clásico y lo actual con sus varios filtros, LFO y efectos integrados, y la espectacular Matriz de modulación en el centro de todo. Es la misma esencia de los sueños analógicos.
OCTUBRE DE 2017
DrumBrute
El inconfundible impacto de la percusión de tensión bruta: ritmos analógicos clásicos con el factor Brute. La interfaz elegante del DrumBrute es tan agradable de usar en directo como en el estudio, con 17 sonidos de percusión totalmente analógicos y un secuenciador de 64 pasos diseñado para manipularlo en tiempo real. Pone en tus manos la máxima contundencia rítmica.
SEPTIEMBRE DE 2018
DrumBrute Impact
Con sonidos de batería analógicos modificables, un circuito de distorsión integrado y secuenciación polimétrica lista para la interpretación, DrumBrute Impact ha evolucionado la fórmula rítmica de Brute. Su formato compacto, su diseño interactivo y su carácter sónico han sido diseñados para poner la actitud rítmica y la destrucción analógica en la punta de tus dedos.
SEPTIEMBRE DE 2020
PolyBrute
Con su combinación del poder puro de los osciladores Brute y la precisión digital de la Matriz de modulación, el innovador control expresivo tridimensional Morphée y sus efectos estéreo de gran calidad, el PolyBrute marcó una nueva era de la polifonía. Una potencia expresiva Brute de 6 voces y 61 teclas diseñada para explorar un sonido en perpetuo movimiento.
Press
Clippings
Pro Sound
On PolyBrute
"It's no coincidence that the manufacturer says that PolyBrute is made by musicians for musicians!"
MusicTech
On Origin Desktop
"It may have been a long time coming, but Origin is a bold first step into hardware for Arturia. Huge-sounding and accessible but with great depth, this is a tremendous synth. -MusicTech Choice Award-"
Future Music
On Origin Desktop
"It sounds fantastic and sets a new high in contemporary synth design. Put it on your shopping list."
Music Radar
On Origin Desktop
"It's with great pleasure that I can tell you that the Origin sounds amazing and well worth the effort that Arturia has put into programming it. It's everything you would expect and more and should keep you occupied for many years."
Audio Technology
On Origin Desktop
"The Origin has an unashamedly large, lush sound and quite unlike what you'd expect from software synths - and rightly so as this isn't a software synth. This is dedicated DSP, designed strictly for the creation of huge analogue-sounding synth patches. All the usual adjectives spring to mind: syrupy, smooth, fat, etc. In short, it sounds quite amazing, with a lot fo the "hybrid" patches screaming "Oberheim®" to me. Plus, it really has a very hands-on synthesis engine thrown into the bargain- easy to program and edit, and lots of fun to use."
Sound On Sound
On Origin Desktop
"The Origin is a unique instrument, combining modular virtual analogue synthesis derived from imitative soft synths with modern features such as splits, layers and truly multitimbral effects. It sounds excellent and, if you can afford it, you should take a close look, because there's nothing else that does quite the same thing."
Keyboard Magazine
On Origin Desktop
"The Synth Freak's Dream Realizer. Monstrously huge sound. Lots of knobs. Interactive step sequencer. Highly patchable, quite like a modular synth. Four-part multitimbral with aux outs. Numerous modules emulate vintage synth components."
Electronic Musician
On Origin Desktop
"Terrific, animated sounds. Generous supply of modules. Powerful modulation capabilities with flexible routing. Brilliant user interface with intuitive controls, navigation, and display. Versatile mixer options. Writing for EM, I've witnessed many evaluations of products based on whether they are evolutionary or revolutionary. With its innovative coupling of classic synthesis and contemporary musical-instrument technology and design, the Origin manages to satisfy both criteria easily. This is the first hardware synth I've wanted to buy in nearly a decade; need I say more?"
Electronic Musician
On Origin Desktop
"I highly recommend the Origin Keyboard. It's an inspiring piece of well-designed gear at a fair price. It isn't cheap, but you get a tremendous amount of sound engine for your money. Although the Origin has lots of useful and interesting factory programs, it's one of those synthesizers obviously designed with programmers in mind. If you like to build sounds from scratch, you could spend many happy hours and years exploring and programming the Origin Keyboard. If live performance is your gig, it could very effectively take the place of half a dozen vintage keyboards onstage. I was especially impressed by the well-thought-out versatility of the ribbon controller, which may be reason enough to prefer the keyboard model over the module."
Future Music
On Origin Desktop
"This is a fantastic and rewarding instrument with a sound that is unrivalled in the emulation stakes."
Music Radar
On Origin Desktop
"Superb analogue synth emulation. Large ribbon controller. Seemingly limitless modular combinations."
Ask Audio
On MicroBrute
"Getting creative with the routing is what makes the Microbrute so much fun—and ensures its usefulness in the studio for years to come. The MicroBrute is an amazing deal that meets all needs with savage style."
Future Music
On MiniBrute
"MiniBrute offers you a good value quality - price on its options"
Future Music
On MiniBrute
"A great little synth, which manages to pack a lot of punch into its modest frame. The final word on MiniBrute is that we're seriously considering buying one - though we might have to wait for the 'PolyBrute' should Arturia decide to make one!"
Meet Music Magazine
On MicroBrute
"This synthesizer has a whole bunch of new characteristics as interesting as unique"
Beatport
On MiniBrute
"The MiniBrute combines 21st-century amenities like USB MIDI and the festival-friendly Ultrasaw waveform with vintage tools like the Steiner-Parker multimode filter, arpeggiator, and a thoroughly nasty feedback circuit in its signal path"
Electronic Musician
On MiniBrute
"Are we crazy for giving a monosynth an Editors’ Choice Award in the 21st century? We’d be crazy not to, because the MiniBrute is packed with features, built like a tank and, most importantly, sounds fantastic."
Electronic Musician
On MicroBrute
"An inexpensive monophonic instrument with flexible modulation routing and a Steiner-Parker multimode filter that provides vintages tones without sounding like an ARP, Mg or Oberheim®"
Estrada Studio
On MicroBrute
"The MicroBrute - with its own characteristic sound - is one of our favorites."
Keyboard US
On MiniBrute
"This real analog monosynth looks and plays like the love child of an ARP Axxe and an Octave Cat. The filter from the rare Steiner-Parker Synthacon has an aggressive sound you won't find elsewhere and the arpeggiator is wicked decent. Be warned: if you use the MiniBrute just for Dubstep, we will find you."
Keyboard Magazine
On MicroBrute
"If you’re an analog head, the Arturia MicroBrute is definitely the way to go."
Keyboard Magazine
On MicroBrute
"The sound is anything but “pretty” compared to other contemporary analog synths, but that aggressive character is what makes it essential to my sounds. This synth is meaty and macho like nothing else. If you don’t already own a ’Brute, it’s clear that you will. At this price, practically everyone will."
KRHome Studio
On MiniBrute
"More fun that a SH-101, equipped with a filter that surpasses more expensive vintage models, available at a very reasonable price, the MiniBrute should meet with success that will be very well deserved."
Music & Musicians
On MiniBrute
"Between its brilliant simplicity and modest price tag, the Arturia MiniBrute is one of the most accessible pure analog synthesizers available"
Music Radar
On MicroBrute
"you get plenty of synth for not a great deal of money"
Brute:
la perspectiva de los artistas
Arturia siempre ha tenido una estrecha relación con los artistas, así que hemos decidido mostrar lo que ocurre entre bastidores. Descubre lo que músicos y productores de fama mundial opinan sobre sus productos favoritos de Arturia y cómo los utilizan.
Alan Hewitt
The Moody Blues
"Origin allows me to get those great fat sounds I had with my old analog synths. The keyboard is very expressive, allowing you to set it up in just about any way you can think of, also the sequencers and last note expression are invaluable."
Amin Bhatia
Score Composer
"Now this is the future: All the sounds from the worlds greatest synthesizers in a box that is as easy and as fun to use as a MiniMg. The joyous days of analog power and warmth, but with digital recall. And no computer required. I'm liking this !"
Brian London
Keyboardist for Lady Gaga, Rihanna
"Arturia’s Origin is a dream come true. Its huge sound palette and incredible control over massive synths have made it my tool of choice on stage with Rihanna and Lady Gaga."
Bruce Somers
Kidneythieves
"The Origin Keyboard is such an amazing and original instrument. I immediately created a new patch that became my favorite sound and song idea. True inspiration from an amazing piece of gear. Thanks Arturia!"
Che Pope
Producer - Composer
"I purchased my origin site unseen because I love all of Arturia's virtual plug ins and to my surprise the origin sounded bigger and fatter than I expected. It is one of my go to weapons in my arsenal."
Chris Godbey
Sound Engineer
"Whether you are simply calling up a simple MiniMoog patch or custom building a four oscillator, four filter polyphonic monster, the Origin provides you with interactive inspiration. Origin allows you to create impossible synth combinations."
Danny Saber
Sound Engineer
"The Arturia Origin is the most pliable sound source I've ever heard. It sticks to what ever you throw it at."
Drew Neumann
Score Composer
"The Origin easily covers everything from CS, VS to ARP, and even does Digital FM noises. It is a one-stop all-in-one virtual modular synth that covers the history of vintage synths while adding capabilities that the originals lacked."
Herbie Hancock
Jazz composer
"There are a lot of things on the Origin that I've never seen before, and the end results are sounds I've never heard before, and it's great to me. They found another great path for Arturia."
Jordan Rudess
Dream Theater
"Origin is a super powerful synthesizer. Having grown up with the world of classic analog synthesizers and now living in the digital age, the Origin marries these worlds for me in a perfectly intuitive, great sounding hardware musical instrument."
Kern Brantley
Lady Gaga
"I think the Arturia Origin is amazing. It's perfect for live shows as I can have multiple synth sounds on stage without the extra lap top. I love the presets and I'm very excited about incorporating it on tour."
Luis Resto
Producer - Composer
"On Eminem's "Recovery" album (2010), I used Origin on the song "WTP (White Trash Party)" in the chorus doubling up Marshall's melody fairly verbatim with a lead sound that accentuated his phrasing as well as stood out in track."
Steve Ferlazzo
Keyboardist
"The Arturia Origin is a truly inspirational instrument. Having some of the most classic synth engines available onboard and the ability to mix and match components from each of these synths really allows me to create fresh and exciting new sounds."
Steve Jablonsky
Score Composer
"I love how easily I was able to integrate it into my writing process. It's a really deep synth that you can spend hours and hours experimenting with, or you can twiddle some knobs and quickly have a cool and unique patch."
The Crystal Method
Producer - Composer
"I can't tell you how many people asked us where did those particular sounds come from. When we say Arturia Origin, immediatly you can see them checking their bank account to see if they can afford it."
Wally Badarou
Level 42
"Origin is to me a Bentley, a Rolls Royce, and yet so small and powerful."
Adrian Utley
Portishead
"MiniBrute is very nice to play with. The knobs are exactly where they should be. I could sit with my MiniBrute for hours."
Arnaud Rebotini
Black Strobe
"Arturia makes the best synth emulations in my opinion. They are very faithful to the original machines. I think people will soon notice the minibrute signature sounds in electronic music, because it has a true personality."
Capri
DJ / Producer
"When I received my MiniBrute, what caught my attention was it's really solid build quality. It's a nomadic synth, which has absolutely nothing to envy from its analog ancestors. It's an amazing analog creation tool."
Citizen Kain
DJ / Producer
"MiniBrute, My new best friend. 100% inspiring analog sound and unlimited creative possibilities."
Dave Clarke
"The MiniBrute doesn't feel cheap, but very well made. It's a brute, an animal. You can do anything, there is no limit. Arturia is absolutely on the forefront and I'm so happy I've found them."
Gesaffelstein
DJ / Producer
"I've tested the MiniBrute and I find it really good, it is simple in usage as well as in the sounds provided that are basic and effective. MiniBrute allows for specific sounds quickly without going through a complex modulation."
Jean-Benoit Dunckel
Air
"MiniBrute condenses outstanding analog sounds in a compact and solid format that is great for touring. I was impressed by its raw, sometimes dark, and incredibly edgy sounds."
Junkie XL
DJ / Producer
"The MiniBrute is a wonderful analog synth that gives you all the controls you need. You can make great sounds from very dirty to very smooth."
No ID
Producer - Composer
"Arturia has created a keyboard which will re-introduce the world to analog sound on steroids... Definately what the new generation needs."
Tecnología:
Anatomía de los Brute
La tecnología que distingue a la gama Brute, estableciendo el estándar para la creación de música analógica.
- Oscilador Brute: Un oscilador analógico original que combina varias formas de onda, plegado de ondas complejo y la intensísima realimentación Brute Factor integrada.
- Filtro Steiner-Parker: Un mítico filtro multimodo introducido en los años 70, recreado y mejorado, y validado por el propio Nyle Steiner. Logra un sonido crujiente, agresivo, aterciopelado y todo lo que imagines.
- Patching: Los Brute tienen la capacidad de reconfigurar y reenviar la señal de audio y los voltajes con las conexiones CV modulares o la compleja Matriz de modulación.
¿Qué es lo siguiente?
Freak
Sintetizadores digitales de vanguardia
Freak por nombre, freak por naturaleza. Explora los últimos límites de tu sintetizador y embárcate en la experiencia sonora más radical. Abraza una amplia variedad de sonidos sintéticos, encuentra tu propia locura creativa y llévala al extremo para conseguir algo nunca visto. Es endemoniadamente bueno.