brute
Sintetizadores analógicos indomables
Crudo, potente, orgánico… Da igual cómo lo califiquemos y cómo lo definamos: sólo hay que sentirlo; explorar la máquina, buscar el sonido táctil, eléctrico y vital de la auténtica síntesis analógica; sentir ese momento inusual de creación pura en la punta de los dedos… Entra en el mundo Brute.
Sintetizadores y cajas de ritmos
potentes y analógicos
La gama Brute incluye sintetizadores analógicos e instrumentos diseñados para crear ritmos, melodías y texturas a partir de simple voltaje eléctrico. Descubre el sonido analógico más deseado con funciones avanzadas y experimentales para lograr tonos salvajes e inesperados.
01
Potencia 100 % analógica
Estos instrumentos generan sonido controlando y manipulando la electricidad. La gama Brute te permite transformar la electricidad en señales de audio, a las que cada componente aporta su propio toque.
02
Los factores Brute
Cada uno de estos sintetizadores posee funciones únicas que los hacen verdaderamente irreemplazables: filtros Steiner-Parker, distorsión en el bus principal, realimentación Brute Factor y arquitectura reconfigurable.
03
Manipulación práctica
Sin menús desplegables y sin opciones ocultas: estos instrumentos dan prioridad a la experiencia táctil e instintiva de tocar música, dejando que la señal vaya directamente del cerebro al altavoz.
La exploración de la materia sonora
Aprovechando la naturaleza cruda, potente y orgánica de la síntesis analógica, la gama Brute es el sonido de la tensión sin límites. Desde teclados semimodulares hasta cajas Eurorack, pasando por cajas de ritmos analógicas, esta es la exploración de la propia materia sónica. Bajos sísmicos, leads etéreos y pads masticables en diente de sierra galvanizados con un montón de carácter electrizante.
Elige
tu Brute
Desde la pureza monofónica de las ondas senoidales hasta la polifonía multidimensional tremendamente expresiva, encuentra cualquier sabor analógico con los Brutes.
Jake Miller
Drumbrute: an experience in itself
Originally from Brisbane, Australia, Jake Miller has spent the last few years based in London, UK, acting as an engineer and producer for some of the world’s top pop, rock, and electronic artists.
Leer el artículoEl inicio
de la historia
En 2011, lo digital dominaba el mercado. Los instrumentos de software estaban de moda y todos los sintetizadores de hardware populares eran digitales.
[...] cuando en la feria NAMM de 2012 Arturia presentó su primer sintetizador analógico, el MiniBrute, que presumía de un sonido fantástico y un precio por debajo de la mitad del de la competencia. Arturia supo ver e impulsar una tendencia incipiente: el resurgimiento y posterior dominio de la síntesis analógica. No pudieron llegar en mejor momento.
Geary Yelton, fundador y redactor de Synth and Software
PressClippings
MusicTech
On Origin Desktop
“It may have been a long time coming, but Origin is a bold first step into hardware for Arturia. Huge-sounding and accessible but with great depth, this is a tremendous synth. -MusicTech Choice Award-”
Future Music
On Origin Desktop
“It sounds fantastic and sets a new high in contemporary synth design. Put it on your shopping list.”
Music Radar
On Origin Desktop
“It's with great pleasure that I can tell you that the Origin sounds amazing and well worth the effort that Arturia has put into programming it. It's everything you would expect and more and should keep you occupied for many years.”
Audio Technology
On Origin Desktop
“The Origin has an unashamedly large, lush sound and quite unlike what you'd expect from software synths - and rightly so as this isn't a software synth. This is dedicated DSP, designed strictly for the creation of huge analogue-sounding synth patches. All the usual adjectives spring to mind: syrupy, smooth, fat, etc. In short, it sounds quite amazing, with a lot fo the "hybrid" patches screaming "Oberheim®" to me. Plus, it really has a very hands-on synthesis engine thrown into the bargain- easy to program and edit, and lots of fun to use.”
Sound On Sound
On Origin Desktop
“The Origin is a unique instrument, combining modular virtual analogue synthesis derived from imitative soft synths with modern features such as splits, layers and truly multitimbral effects. It sounds excellent and, if you can afford it, you should take a close look, because there's nothing else that does quite the same thing.”
Keyboard Magazine
On Origin Desktop
“The Synth Freak's Dream Realizer. Monstrously huge sound. Lots of knobs. Interactive step sequencer. Highly patchable, quite like a modular synth. Four-part multitimbral with aux outs. Numerous modules emulate vintage synth components.”
Electronic Musician
On Origin Desktop
“Terrific, animated sounds. Generous supply of modules. Powerful modulation capabilities with flexible routing. Brilliant user interface with intuitive controls, navigation, and display. Versatile mixer options. Writing for EM, I've witnessed many evaluations of products based on whether they are evolutionary or revolutionary. With its innovative coupling of classic synthesis and contemporary musical-instrument technology and design, the Origin manages to satisfy both criteria easily. This is the first hardware synth I've wanted to buy in nearly a decade; need I say more?”
Electronic Musician
On Origin Desktop
“I highly recommend the Origin Keyboard. It's an inspiring piece of well-designed gear at a fair price. It isn't cheap, but you get a tremendous amount of sound engine for your money. Although the Origin has lots of useful and interesting factory programs, it's one of those synthesizers obviously designed with programmers in mind. If you like to build sounds from scratch, you could spend many happy hours and years exploring and programming the Origin Keyboard. If live performance is your gig, it could very effectively take the place of half a dozen vintage keyboards onstage. I was especially impressed by the well-thought-out versatility of the ribbon controller, which may be reason enough to prefer the keyboard model over the module.”
Future Music
On Origin Desktop
“This is a fantastic and rewarding instrument with a sound that is unrivalled in the emulation stakes.”
Music Radar
On Origin Desktop
“Superb analogue synth emulation. Large ribbon controller. Seemingly limitless modular combinations.”
Ask Audio
On MicroBrute
“Getting creative with the routing is what makes the Microbrute so much fun—and ensures its usefulness in the studio for years to come. The MicroBrute is an amazing deal that meets all needs with savage style.”
Future Music
On MiniBrute
“MiniBrute offers you a good value quality - price on its options”
Future Music
On MiniBrute
“A great little synth, which manages to pack a lot of punch into its modest frame. The final word on MiniBrute is that we're seriously considering buying one - though we might have to wait for the 'PolyBrute' should Arturia decide to make one!”
Meet Music Magazine
On MicroBrute
“This synthesizer has a whole bunch of new characteristics as interesting as unique”
Beatport
On MiniBrute
“The MiniBrute combines 21st-century amenities like USB MIDI and the festival-friendly Ultrasaw waveform with vintage tools like the Steiner-Parker multimode filter, arpeggiator, and a thoroughly nasty feedback circuit in its signal path”
Electronic Musician
On MiniBrute
“Are we crazy for giving a monosynth an Editors’ Choice Award in the 21st century? We’d be crazy not to, because the MiniBrute is packed with features, built like a tank and, most importantly, sounds fantastic.”
Electronic Musician
On MicroBrute
“An inexpensive monophonic instrument with flexible modulation routing and a Steiner-Parker multimode filter that provides vintages tones without sounding like an ARP, Mg or Oberheim®”
Estrada Studio
On MicroBrute
“The MicroBrute - with its own characteristic sound - is one of our favorites.”
Keyboard US
On MiniBrute
“This real analog monosynth looks and plays like the love child of an ARP Axxe and an Octave Cat. The filter from the rare Steiner-Parker Synthacon has an aggressive sound you won't find elsewhere and the arpeggiator is wicked decent. Be warned: if you use the MiniBrute just for Dubstep, we will find you.”
Keyboard Magazine
On MicroBrute
“If you’re an analog head, the Arturia MicroBrute is definitely the way to go.”
Keyboard Magazine
On MicroBrute
“The sound is anything but “pretty” compared to other contemporary analog synths, but that aggressive character is what makes it essential to my sounds. This synth is meaty and macho like nothing else. If you don’t already own a ’Brute, it’s clear that you will. At this price, practically everyone will.”
KRHome Studio
On MiniBrute
“More fun that a SH-101, equipped with a filter that surpasses more expensive vintage models, available at a very reasonable price, the MiniBrute should meet with success that will be very well deserved.”
Music & Musicians
On MiniBrute
“Between its brilliant simplicity and modest price tag, the Arturia MiniBrute is one of the most accessible pure analog synthesizers available”
Music Radar
On MicroBrute
“you get plenty of synth for not a great deal of money”
MusicTech
On MicroBrute
“MicroBrute should be the first synth students use to learn the basics of analogue synthesis. Thi synth can probably go to more places than any other single-oscillator machine out there”
Brute:
la perspectiva de los artistas
Arturia siempre ha tenido una estrecha relación con los artistas, así que hemos decidido mostrar lo que ocurre entre bastidores. Descubre lo que músicos y productores de fama mundial opinan sobre sus productos favoritos de Arturia y cómo los utilizan.
Tecnología
Anatomía de los Brute
La tecnología que distingue a la gama Brute, estableciendo el estándar para la creación de música analógica.
Oscilador Brute: Un oscilador analógico original que combina múltiples formas de onda, plegado de ondas complejo y la intensísima realimentación Brute Factor integrada.
Filtro Steiner-Parker: Un legendario filtro multimodo introducido en los años 70, recreado y mejorado, y validado por el propio Nyle Steiner. Logra un sonido crujiente, agresivo, aterciopelado y todo lo que imagines.
Patching: Los Brute poseen la capacidad de reconfigurar y reenviar la señal de audio y los voltajes, desde la conectividad CV semi-modular hasta la intrincada Matriz de Modulación.
¿Qué es lo siguiente?
Freak
Sintetizadores digitales de vanguardia
Freak por nombre, freak por naturaleza. Explora los últimos límites de tu sintetizador y embárcate en la experiencia sonora más radical. Abraza una amplia variedad de sonidos sintéticos, encuentra tu propia locura creativa y llévala al extremo para conseguir algo nunca visto. Es endemoniadamente bueno.
Descubre los Freak